One Of A Dolls House Secession From Society Essays - Films

One of A Doll's House: Secession From Society One of A Doll's House's central theme is secession from society. It is demonstrated by several of its characters breaking away from the social standards of their time and acting on their own terms. No one character demonstrates this better than Nora. During the time in which the play took place society frowned upon women asserting themselves. Women were supposed to play a role in which they supported their husbands, took care of their children, and made sure everything was perfect around the house. Work, politics, and decisions were left to the males. Nora's first secession from society was when she broke the law and decided to borrow money to pay for her husbands treatment. By doing this, she not only broke the law but she stepped away from the role society had placed on her of being totally dependent on her husband. She proved herself not to be helpless like Torvald implied: "you poor helpless little creature!" Nora's second secession from society was shown by her decision to leave Torvald and her children. Society demanded that she take a place under her husband. This is shown in the way Torvald spoke down to her saying things like: "worries that you couldn't possibly help me with," and "Nora, Nora, just like a woman." She is almost considered to be property of his: "Mayn't I look at my dearest treasure? At all the beauty that belongs to no one but me -that's all my very own?" By walking out she takes a position equal to her husband and brakes society's expectations. Nora also brakes society's expectations of staying in a marriage since divorce was frowned upon during that era. Her decision was a secession from all expectations put on a woman and a wife by society. Nora secessions are very deliberate and thought out. She knows what society expects of her and continues to do what she feels is right despite them. Her secessions are used by Ibsen to show faults of society. In the first secession Ibsen illustrates that despite Nora doing the right thing it is deemed wrong and not allowed by society because she is a woman. While the forgery can be considered wrong, Ibsen is critical of the fact that Nora is forced to forge. Ibsen is also critical of society's expectations of a marriage. He illustrates this by showing how Nora is forced to play a role than be herself and the eventual deterioration of the marriage. Throughout the play Nora is looked down upon and treated as a possession by her husband. She is something to please him and used for show. He is looked upon as the provider and the decision maker. Society would have deemed it a perfect marriage. Ibsen is critical of the fact that a marriage lacked love and understanding, as shown by Torvald becoming angry with Nora for taking the loan and saving him, would be consider as perfect. A Doll's House's central theme of secession from society was made to be critical of society's view on women and marriage. Ibsen used Nora's secessions as an example to illustrate that society's expectations of a woman's role in society and marriage were incorrect. Her decision to leave was the exclamation point on his critical view of society.

Free Essays on The Birth Of The Big Band

Free Essays on The Birth Of The Big Band Benny Begets the Swing Band The world sometimes gives birth to creative and innovative individuals. These rare men often leave their mark on the world, forever changing a facet of our society and culture. The arts, specifically music and jazz, have had a more volatile history than history than perhaps any other genre in the spectrum of popular culture. One of these innovators, Benny Goodman, rekindled the flame of jazz with a new and exciting form of swing that brightened the stagnant waters of music. This revolutionary swing style was dubbed Big Band. While other bands conformed to the swing jazz mold, Benny Goodman and his group of your diverse musicians sought to change jazz as a whole, and in the effort ushered in the Swing Band Era. Yearning for success in the music business, Benny Goodman quickly gathered a group of fresh musicians, and in showing the might of his band, the hot new group, which had the credit of sparking the swing era, gained national noteriety. Karen Johnson mentions that jazz clarinetists Johnny Dodds, Leon Roppolo, and Jimmy Noone collectively fueled Benny’s inner desire to lead a band (1). Finally feeling seasoned enough to make it in the big band circuit, Karen Johnson adds that Goodman formed a twelve piece big band in 1932 (1). Before 1934, dance and â€Å"sweet† bands controlled the radio waves and dancehalls, but as Johnson states, upon the arrival of Benny’s band â€Å"at the Polomar Ballroom in Las Angeles on August 21, 1935†¦ Goodman became a nationally known star.†(1). Young listeners all over the country tuned their radios to hear Benny’s band play, and Parker adds that with his new mix of hot jazz, like an explosion Benny was suddenly a n ational star(3). Some columnists proclaimed this the beginning of the Swing Era, but Parker adds in opposition that â€Å"no one incident can be related to [big band jazz’s] genesis† (2). Similarly, it is possible to infer that Benny’s band was credit...

In public administration class Essay Example | Topics and Well Written Essays - 500 words

In public administration class - Essay Example The sum and substance of the book, call it synopsis, has been made clear by the authors in the first few pages of the book and in the ensuing chapters, the approach to the subject has been elaborated, by close examination of the concept of metaphor. Metaphor is no more the concept. It is experiencing; it is what one lives by. The authors argue, â€Å" We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.†(Lakoff, et.al, 1980 p.3)The authors launch their version of metaphor by appropriate examples like the concept of ARGUMENT and the conceptual metaphor ARGUMENT IS WAR. Next, the conceptual metaphor TIME IS MONEY is elaborated. George Lakoff is a professor in the Department of Linguistics at the University of California, Berkeley. Mark Johnson is the Knight Professor of Liberal Arts and Sciences at the University of Oregon. Their common meeting ground is metaphor! There has been a recent spurt in interest in metaphor in most of the branches of knowledge. Linguists, philosophers and psychologists are the first converts to the working philosophy of metaphor. The intention of the authors is not to find new converts to the art or science of metaphor. It is to make them aware how they are already making extensive use of metaphors in their existing branch of knowledge. It is to convert philosophers to philosophy and psychologists to psychology, so to say! In everyday life some metaphors do small jobs and some perform mighty undertakings. The later fall into the category of highly productive metaphor schemata. The example given is, Michael Reddys conduit metaphor, to understand communication. The conduit metaphor has three constituent metaphors: IDEAS ARE OBJECTS, LINGUISTIC EXPRESSIONS ARE CONTAINERS, and